Solo Exhibitions
1987 Trinity College, Palos Heights, IL
1982 Nancy Lurie Gallery, Chicago, IL
Selected Group Exhibitions
1990
“Figuration”, Judith Rasche Gallery, Harbert, MI
“Investigations”, MoMing Arts Center, Chicago, IL
1989
“Ten Year Anniversary Exhibition”, Randolph Street Gallery, Chicago, IL
“Dead Sea Suite”, performance with Andy Soma and Fred Holland, sponsored by White Walls Magazine at the Lower Links, Chicago, IL
1988
“The Developing Image: Chicago Artistic Tradition”, Jonson Art Gallery, University of New Mexico, Albuquerque, NM
1987
“A New View”, University Club Gallery, Chicago, IL
“Masks”, Paul Klein Gallery, Chicago, IL
“Dismemberment”, Artemisia Gallery, Chicago, IL
“Artagogo”, Hyde Park Art Center, Chicago, IL
“Union League Biennial”, Union League Club, Chicago, IL
“Live Wire”, Limelight, Chicago, IL
1986
“Chicago Draws”, Hyde Park Art Center, Chicago, IL
“Artists Go to Bat”, Marianne Deson Gallery, Chicago, IL
“Recent Art from Chicago”, Artists Space, NY
“Behind the Scene”, Limelight, Chicago, IL
1985
“Confluence without Influence”, Randolph Street Gallery, Chicago, IL
“2nd Annual Juried Drawing Show”, MoMing Arts Center, Chicago, IL
“Outdoor Installations”, Randolph Street Gallery, Chicago, IL
“Then and Now”, Hyde Park Art Center, Chicago, IL
1984
“Chicago HEAD 1984”, Randolph Street Gallery, Chicago, IL
“Alternative Spaces”, Museum of Contemporary Art, Chicago, IL
“Artists to Watch 1984”, Dart Gallery, Chicago, IL
“Sculpture Jam”, Patrick King Gallery, Indianapolis, IN
1983
“The Fan Show”, Hyde Park Art Center, Chicago, IL
“Atlas & Odalisque”, Randolph Street Gallery, Chicago, IL
“The Big Pitcher: 20 Years of the Abstracted Figure in Chicago Art”, Hyde Park Art Center, Chicago, IL
“The Valentine Show”, N.A.M.E. Gallery, Chicago, IL
1982
“Chicago Now”, The Brentwood Gallery, St. Louis, MO
“The Salon Show”, Randolph Street Gallery, Chicago, IL
“For A Limited Time Only”, Nancy Lurie Annex, Chicago, IL
1981
“The Loop Show”, The Fisher Building, Chicago, IL
“Young Chicago Artists”, Quay Gallery, San Francisco, CA
“This is Where I Live”, Nancy Lurie Gallery, Chicago, IL
“100 x 100”, Paul Waggoner Gallery, Chicago, IL
“Our Town”, Nancy Lurie Gallery, Chicago, IL
1980
“Chicago and Vicinity Show”, The Art Institute of Chicago, Chicago, IL
“Alter-Ego”, West Hubbard Gallery, Chicago, IL
“Chicago Art Perspective”, Navy Pier, Chicago, IL
“Non-Naïve”, Hyde Park Art Center, Chicago, IL
1979
“4 x 4 Show”, Artemisia Gallery, Chicago, IL
Theater Sets
1986 “Run, Precious, Run”, for Kate Kuper Dance, MoMing Arts Center, Chicago, IL
1985 “Gallup”, for Huron Theater production of John Haskell play at Second City Stage, Chicago, IL
1984 “The Supremacy of Style”, for Hyde Park Art Center benefit fashion show, Hyde Park Art Center, Chicago, IL
Selected Publications
1986 White Walls – Special Issue: Drawing in the ‘80s, #13, Spring 1986, “Dead Sea Suite”, p. 19-25
1984 New Art Examiner, Vol. 11, #10, Chicago Invitational Artists’ Pages
1983 New Art Examiner, Vol. 10, #10, Chicago Invitational Artists’ Pages
Chicago Review, #33-3, Univ. of Chicago Press – Cover Art
1981 Calypso, Syncline Magazine #8, Chicago – Cover Art
1980 Praxis Magazine, March/April, Chicago
1980 Stare Magazine, #6, #7
1979 Stare Magazine, #4, #5
Reviews/Articles about the Artist
Allison Gamble, “The Myths that Work”, New Art Examiner, May 1989, p. 22-25
Eleanor Heartney, “Second to What?”, New Art Examiner, May 1987, p. 22-26
Sue Taylor, “The Iconography of Loss: Dismemberment in Chicago Art”, New Art Examiner, Summer 1986, p. 28-31 (illus. p. 30)
James Yood, “Recent Art from Chicago”, exhibition catalog essay, Artist Space, NYC, NY, Mar. 1986
James Yood, “An ‘Emerging’ Cliché: New Talent Exhibitions Prevail in Chicago”, New Art Examiner, Dec.1985, p. 27-29
Michael Bonesteel, “The Nancy Lurie Years”, New Art Examiner, May 1985, p. 36-40 (illus. p. 39)
Michael Bonesteel, “Open Spectrum”, The Pioneer Press, May 1985, p. D3
Bill Stamets, “Crisis for Chicago ‘Alternatives’”, New Art Examiner, Mar. 1984, p. 1 & 22
Joyce Fernandes, “Atlas and Odalisque at Randolph Street Gallery”, New Art Examiner, Summer 1983, p. 9
Mark M. Leonhart, “Atlas and Odalisque”, exhibition catalog essay, Randolph Street Gallery, May 1983
Harold Hayden, “Galleries”, Chicago Sun-Times, Jun. 24, 1983, p. 78 & 80
Alice Thorson, “Editorial/Chicago”, New Art Examiner, Mar. 1983, p. 2
Mark M. Leonhart, “It’s Root, Root, Root for the Home Team”, New Art Examiner, Feb. 1983, p. 11 & 13 (illus. p. 13)
Alan G. Artner, “Big Pitcher”, Chicago Tribune, Feb. 4, 1983, p. 13 & 14
Christopher Lyon, “Hyde Park Art Center Fuels Interest in Figurative Art”, Chicago Sun-Times, Jan. 30, 1983, p. 22 & 27
Michael Bonesteel, “Common Interests”, The Reader, Jan. 28, 1983, p. 34
Cara Glatt, “Big Pitcher is Garish, Erotic”, Hyde Park Herald, Jan. 19, 1983, p. 8
Stephen Reynolds, “The Big Pitcher: 20 Years of the Abstracted Figure in Chicago Art”, exhibition catalog essay, Hyde Park Art Center, Jan. 1983
Michael Bonesteel, “Chicago Turns a Corner: An Overview”, CAC Newsletter Supplement, Dec. 1982, p. 10
Michael Bonesteel, “Deven Golden at Nancy Lurie”, Art in America, Sept. 1982, p. 167 (illus.)
Ari Kambouris, “Art Watch”, The Grey City Journal/Chicago Maroon, May 21, 1982, p. 6 & 7
Alice Thorson, “Young Chicagoans Prefer Engagement to Avant-Gardism”, New Art Examiner, May 1982, p. 1ff, 8 & 9
David Elliot, “Chicago is Enjoying Its Own Eclecticism”, ARTnews, May 1982, p. 90 – 94
Connie Laurman, “Chicago’s Artists Painting the Town – With Optimism”, Chicago Sun-Times, May 18, 1982, Sec. 2, p. 1ff
Christopher Lyon, “The Importance of Being Tasteless”, The Reader, May 14, 1982, p. 36 – 38, (illus. p. 38)
Michael Bonesteel, “Zombie Parade”, The Reader, Feb. 5, 1982, p. 8
Ann Grimes, “Hyde Park Art Center”, The Chicago Journal, Sept. 30, 1981, p. 1
Alice Thorson, “The Loop Show”, New Art Examiner, Oct. 1981, p. 16
Leon R. Upshaw, “The Alter-Ego Show”, New Art Examiner, Oct. 1980, p. 16
Harold Hayden, “Non-Naïve Show”, Chicago Sun-Times, Feb. 15, p. 70 and Feb. 29, 1980, p. 70
Mark M. Leonhart, “Non-Naïve Show”, New Art Examiner, Mar. 1980, p. 16
Laurie Weisblatt, “Non-Naïve Show”, Hyde Park Herald, Feb. 13, 1980, p. 18
Essays/Reviews by the Artist
“The Last Wave: Figurative Painting in Chicago at the End of the 20th Century”, catalogue essay for the exhibition “What Came After: Figurative Painting in Chicago 1978-1998”, Sep. 14, 2019, Jan. 12, 2020, Elmhurst Art Museum, Elmhurst, IL.
“Minority Report”, a review of “Dana Schutz: Imagine Me and You” at Petzel, www.artmonkeywrench.com, Mar. 2019
“Tower of Power”, notes on “Hilma af Klint: Painting for the Future” at the Guggenheim, www.artmonkeywrench.com, Jan. 2019
“Wirsum 2018: On Dangerous Ground”, essay, www.artmonkeywrench.com, Aug. 2018
“Death and the Critic”, essay, www.artmonkeywrench.com, Aug. 2017
“The Whitney Biennial: This, That, and the Other Thing”, a review of the 78th Whitney Biennial, www.artmonkeywrench.com, May, 2017
“The Chimera” an essay on the Picabia Exhibition at the Museum of Modern Art, New York, Apr. 2017, http://www.artmonkeywrench.com
“More Incarnations Than Dr. Who: Expo Chicago”, www.artcritical.com, Sept. 2015
“Unquiet Americans”, a review of Peter Saul at Venus Over Manhattan, www.artmonkeywrench.com, Apr. 2015
“Sundays in the Arbor with Gladys”, a review of Gladys Nilsson at Garth Greenen Gallery, www.artmonkeywrench.com, Dec. 2014
“Modern Love”, a review of the Matisse Cut-Outs exhibition at Museum of Modern Art, www.artmonkeywrench.com, Apr. 2015
“William Conger at Studio Vendome Projects”, www.artcritical.com, Oct. 2014
“The Alchemist: a review of the Jeff Koons retrospective at the Whitney”, www.artmonkeywrench.com, Oct. 2014
“Joan Mitchell x 2: a review of concurrent exhibitions at Cheim & Read and Lennon Weinberg”, www.artmonkeywrench.com, Jun. 2014
“Dead Enders: a review of the Italian Futurism exhibition at the Guggenheim Museum, and the Degenerate Art exhibition at the Neue Galerie”, www.artmonkeywrench.com, Aug. 2014
“And Now a Word from Our Sponsor”, www.artmonkeywrench.com, Mar. 2014
“Fred W McDarrah: Save the Village at Steven Kasher Gallery”, www.artmonkeywrench.com, Feb. 2014
“Meg Hitchcock: The Land of Bliss at Studio 10”, www.artcritical,com, Nov. 2013
“Stanley Whitney: Other Colors I Forget at Team Gallery”, www.artcritical.com, May 2013
“Victor Pesce: Time Regained”, catalogue essay for the retrospective Victor Pesce: Selections 1978-2010 at Elizabeth Harris Gallery, April 2013
“Painter of Palpable Frission: Denyse Thomasos 1964-2012”, www.artcritical.com, July 2012
“The Tremolo Effect: Harriet Korman at Lennon Weinberg”, www.artcritical.com, April 2012
“Doing the Loop-de-Loop: The Latest Surprise from Ellen Berkenblit at Anton Kern Gallery, www.artcritical.com, March 2012
“On the Road: John Baldessari’s Pure Beauty”, www.artcritical.com, March 2011
“Riptide: New Paintings by Judith Linhares”, catalogue essay, Ed Thorpe Gallery, February 2011
“Frida Kahlo: Her Photos”, www.artcritical.com, January 2011
“Refined Nutt: A Jim Nutt Retrospective at Nolan”, www.artcritical.com, June 2010
“Shirley Jaffe: Selected Paintings, 1969 – 2009 at Tibor de Nagy”, April 2010
“Robert Grosvenor at Paula Cooper Gallery”, www.artcritical.com, March 2010
“Victor Pesce and William Carroll at Elizabeth Harris Gallery”, www.artcritical.com, February 2010
“Sylvia Sleigh at I-20”, www.artcritical.com, December 2009
“Chuck Close at PaceWildenstein”, www.artcritical.com, June 2009
“Flatlands: New Paintings by Don Voisine”, catalogue essay, McKinzie Fine Art, Mar. 2009
“Kirsten Hassenfeld at Smack-Mellon”, www.artcritical.com, Feb. 2009
“James Timberlake Interview”, Bomb, Summer 2008, Issue, #104, pp. 74-81
“Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection”, Istanbul, Turkey, Catalogue Essay Editor, Oct. 2007
“The New MoMA: a roundtable moderated by Aaron Yassin with Rocio Aranda-Alvarado, Deven Golden, Susan Jennings and Christian Viveros-Faune”, www.artcritical.com, Nov. 2004
“Notes on Julia Jacquette”, www.artcritical.com, Aug. 2004
“James Welling Interview”, Bomb, Spring 2004, Issue #87, pp. 46-53
“Notes on Mia Westerlund Roosen and Kim Jones”, www.artcritical.com, Mar. 2004
“Notes on Jeremy Blake”, www.artcritical.com, Feb. 2004
“Notes on Mark Lombardi”, www.artcritical.com, Nov. 2003
“Notes on Ellen Berkenblit”, www.artcritical.com, Oct. 2003
“Mark Lombardi”, Bomb, Fall 2003, Issue #86, pp. 102-103
“Notes on Karin Davie”, www.artcritical.com, Sept. 2003
“The Raw and the Cooked: Shirley Kaneda and Roland Flexner”, www.artcritical.com, Jun 2003
"Visions of 6: Abstract Painting from New York," essay for exhibition at Gallery A, Chicago, 1994
"Ron Gorchov at Locks, Philadelphia," New Art Examiner, Sept. 1993, p. 35.
"Sigmar Polke at the Museum of Contemporary Art, Chicago,"New Art Examiner, Nov. 1991, p. 33.
"THE BODY at the Renaissance Society, University of Chicago" Dialogue Magazine, July\Aug. 1991, p. 11.
"Gertrude Abercrombie at the State of Illinois Art Gallery," New Art Examiner, June\Summer 1991, p. 43.
"On View: Chicago," New Art Examiner, Mar. 1991, pp. 32-33.
"Visions: Expressions from Beyond the Mainstream from Chicago Collections at the Arts Club of Chicago," New Art Examiner, Jan. 1991, pp. 40-41.
"Unknown Secrets: Art and the Rosenberg Era at the Spertus Museum of Judaica," New Art Examiner, Oct. 1990, p. 40.
"Locations of Desire: Phyllis Bramson, Michiko Itatani, Vera Klement at State of Illinois Gallery," Dialogue Magazine, Sept.\Oct. 1990, p. 25.
"The Last Straw," reply to Jeanne Dunning letter to the editor, New Art Examiner, Sept. 1990, p. 3.
"Murmur Raises a Din," feature, New Art Examiner, June 1990, pp. 30-32.
"Herbert George at the Chicago Public Library Cultural Center," New Art Examiner, January 1990, pp. 39-40.
"Peter Saul at Museum of Contemporary Art," Dialogue Magazine, Nov.\Dec. 1989, pp. 34-35.
"Armor at the Randolph Street Gallery," New Art Examiner, Sept. 1989, pp. 50-51.
"The New British Painting at the Chicago Public Library Cultural Center," New Art Examiner, May 1989, p. 45
"Michiko Itatani: No Boundaries," essay for exhibition at University of Colorado Gallery, Boulder, 1989.
"Anne Wilson and Dann Nardi at the Chicago Public Library Cultural Center," Dialogue Magazine, Mar./Apr. 1989.
"Alex Flemming at Latino Artists Gallery," New Art Examiner, Feb. 1989, pp. 48-49.
"Par Excellence! at the SAIC Gallery 2," New Art Examiner, Oct. 1988, p. 52.
"In the Dark at Hyde Park Art Center & Open House at 875 N. Winchester," New Art Examiner, Sept. 1988, pp. 47-48.
"Bill Traylor at the Chicago Public Library Cultural Center," New Art Examiner, May 1988, pp. 45-46.
"Metaphor and Atmosphere: New Realism in Chicago," essay for the exhibition, Contemporary Center for Art, St. Louis, Mo., Apr. 1988.
"Judith Geichman at the Spertus Museum of Judaica," New Art Examiner, Apr. 1988, p. 50-51.
"Egg Tempera: Archaic Methods/Modern Minds at the Contemporary Art Workshop," New Art Examiner, Mar. 1988, p. 48.
"Edward Flood," catalog essay for Edward Flood: Retrospective 1967 - 1985, Hyde Park Art Center, Oct. 1987.
"Martin Puryear," catalog essay for Martin Puryear: Public and Personal, Chicago Public Library Cultural Center, Feb. 1987.
"Women Artists of Hispanic Background at Beacon Street," New Art Examiner, May 1987, p. 51.
"A White Show: Loss of Memory at MoMing Arts Center," New Art Examiner, Mar. 1987.
"1986 in Review," Chicago Artists Coalition Newsletter, Jan. 1987.
"Robert Longo at Donald Young," New Art Examiner, Dec. 1986.
"Cheryl Lammle at Hokin/Kaufman," New Art Examiner, Nov. 1986.
"G. Sherman Kritlow at DeGraaf," New Art Examiner, Nov. 1986.
"JoAnne Carson at Dart," New Art Examiner, Sept. 1986, p. 50.
"Stephen Reynolds at Roy Boyd," New Art Examiner, Summer 1986, p. 47.
"James Brinsfield at Asperger & Bishoff," New Art Examiner, Feb. 1986, p. 39.
"Hyperfunctional Content: The Works of Gary Justis", catalog essay for Gary Justis: Hyperfuntional Icons, Chicago Public Library Cultural Center, 1985, pp. 4 – 6.
"Karl Wirsum at Phyllis Kind," New Art Examiner, Summer, 1984, p. 20.
"Joseph Yoakum: His Influence on Contemporary Art at Carl Hammer," New Art Examiner, Mar.1984, p. 17.
"Speakeasy," New Art Examiner, Dec. 1982, p. 7.
"Bad Painting - A Matter of Taste," New Art Examiner, Jan. 1982, p. 2.
Lectures/Classes
“What is Chicago Imagism?’, Lecture, Elmhurst Art Museum, Elmhurst, IL, Nov. 2, 2019
“What Came After” Exhibition Panel Discussion, Elmhurst Art Museum, Elmhurst, IL, Sep. 14, 2019
“Artist Statements: Outline and Critique”, Visiting Critic, University of Bergen, Norway, Jun. 20, 2019
“Artist Statements: Outline and Critique”, Visiting Critic, Pratt Institute, Graduate Professional Practices, Fall/Spring 2011, 20012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022, 2023
“Making Contact: Creating, curating and collecting emerging art”, panel discussion sponsored by JP Morgan Private Bank, moderated by Lisa K. Erf, with Deven Golden, Robyn Farrell, Michael Levine, and Patrick Earl Hammie at the Art Institute of Chicago, Sept. 16, 2015
“Approaching the Artist Statement”, lecture/talk, Elizabeth Foundation for the Arts, Dec. 3, 2014
“What Does the Globalization Mean for Local Art Movements”, Panel Moderator with Nicolas Frank, Julie Rodrigues Widholm, and Georg Elben, Next Art Fair Chicago, Apr, 2008
“What is Art Today?” Bank One, Chicago, Apr. 1999.
“What are Galleries For?” Katherine Carter & Assoc., New York, June 1998."Recent Representational Art in America," University of Hartford, Connecticut, Oct. 1993.
"Martin Puryear: A Portable Sense of Place," The Art Institute of Chicago, Nov. 1st and 5th, 1991.
Martin Puyear Orientation Video, Art Institute of Chicago, 1991.
"Looking Back at the '80s with and Eye Towards the '90s," Rockford College, Illinois, May 1991.
Graduate Painting Seminar, co-teaching with Susanna Coffey, School of the Art Institute of Chicago, Fall Semester 1990.
"On the Artist's Relationship to the Gallery System," School of the Art Institute of Chicago, Art Business Course, Feb. 26, 1990.
"Edward Flood: Two Decades of Discovery," Rockford Art Museum, Illinois, Feb. 25, 1989.
"Good Painting: Contemporary Chicago Painters", State of Illinois Art Gallery, Panel Discussion, May 2, 1988.
"My Work and the Chicago Tradition," Jonson Gallery, University of New Mexico, Apr. 8, 1988.
"Edward Flood: Two Decades of Discovery," Hyde Park Art Center, Nov. 8, 1987.
"Who Follows the Imagists?" University of Chicago, Oct. 31, 1987.
"The Public and Public Art," The Art Institute of Chicago, July 27, 1987.
The Artist and The Community: Existing Outside the Studio," University of Illinois at Chicago, Graduate Seminar, Winter Quarter, 1987.
"Curating as Artists," School of the Art Institute of Chicago, Art Business Course, Feb. 1987.
"What Can Be Different About Criticism by Artists?" The School of the Art Institute of Chicago, Contemporary Criticism Course, Nov. 1986.
"New Horizons in Art: Past, Present, Future", The Chicago Public Library Cultural Center, moderator for a panel discussion, July 16, 1986.
"The Group Versus the Individual: Approaching Younger Artists", The Museum of Contemporary Art, Chicago, May 20, 1986.
Exhibitions Curated
“Warm, Cool, Round, Square”, with Marilyn Lerner, Katinka Mann, Beth Reisman, Sonita Singwi, 20/20 Gallery, NYC, NY, 2019
“Touchy Feely” with Gail Fitzgerald and Jo Hormuth, Deven Golden Fine Art, New York, 2000.
“Can’t We All Just Get Along” with Kim Jones, Joe Amrhein, Mike Ballou, Nicole Eisenmann, and Mark Lombardi, Deven Golden Fine Art, New York, 1998.
“Random Access Memory” with Anton Vidokle and David Hartt, Deven Golden Fine Art, New York, 1999.
“Yikes!” Gail Fitzgerald, Giles Lyon, Mark Dean Veca, and Susanna Starr, Deven Golden Fine Art, New York, 1998.
“Individuals,” Jacob El Hanani, Karin Davie, Judith Linhares, Melissa Meyer, Beth Reisman, Susan Wankle, and Craig Fisher, Deven Golden Fine Art, New York, 1996
“Thing,” Dominique Figurella, Jill Livine, Steven Keister, Jo Hormuth, Fredrick Holland, David Humphrey, John Obuck, Peter Soriano, and Daniel Wiener, Deven Golden Fine Art, New York, 1996.
"Nature Fabrilis," Philip Ayers, Sue Johnson, David Kroll, Katharine Kuharic, Robert Schwartz, Rosalyn Schwartz, Stiebel Modern, New York, 1994.
"Visions of Six: Abstract Painting from New York," Gallery A, Chicago, 1994.
"Small, Really Small, Tiny," Elizabeth Berdann, Jill Biskin, Jim Butler,Elizabeth Crawford, David Hodges, Thomas Hoffman, Risa Sekiguchi, Brenda Zlamany, Stiebel Modern, New York, 1993.
"Infancy & Image," Elizabeth Berdann, Elisabeth Condon, Ellen Phelan, John Wellington, Thomas Woodruff, Brenda Zlamany, Stiebel Modern, New York, 1993.
"Darkened Mirrors: Four Painters from Chicago," Philip Chen, David Klamen, Donna Tadelman, Terri Zupanc, Stiebel Modern, New York, 1992.
"Contemporary Abstract Photography," Barbara Ess, Joan Fontcuberta, Adam Fuss, Bill Jones, Herwig Kempinger, James Nares, CompassRose, Chicago, 1991.
"Masks," Textile Arts Center, Chicago, 1991.
"Rockford and Vicinity Exhibition," Gallery 10, Rockford, Illinois, solo juror, 1991.
"One Person Exhibitions," Countryside Art Center, Des Plains, Illinois, juror with Lys Martin, 1989\90.
"Individuals II," Kenneth Burkhardt, Judy Geichman, Art Kleinman, Judy Ledgerwood, Lauri Palmer, Risa Sekiguchi, Ann Worthing, Steven Williams, CompassRose, Chicago, 1989.
"Individuals," Jan Carmichael, Jim Chlopecki, Dan Devening, John Dunn, Gary Justis, Steve Levitt, Dave Richards, Paul Rosin, Tom Skomski, CompassRose, Chicago, 1988.
"Metaphor & Atmosphere: New Realism in Chicago," St.Louis Gallery of Art, Center of Contemporary Art, St. Louis, 1988.
"Edward Flood: Retrospective 1967 – 1985," Hyde Park Art Center, Chicago, 1987.
"The Veiled Light: New Glaze and Scumbling," Contemporary Artists Workshop, Chicago, 1987.
"Martin Puryear: Public and Personal," Chicago Public Library Cultural Center, 1987.
"Extended Boundaries: Between Painting and Sculpture," Chicago Public Library Cultural Center, 1986.
"UnScene," co-curated with Sue Taylor for A.R.C. Gallery, Chicago, 1985.
"Flatlands," Randolph Street Gallery, Chicago,1985.
"Open Spectrum," juror, David Adler Cultural Center, Lake Bluff, Illinois, 1985.
"Oblique Delusion: An Installation by Rick Paul," Chicago Public Library Cultural Center, 1985.
"Gary Justis: Hyperfunctional Icons," Chicago Public Library Cultural Center, 1985
"5 + 5: Ten Perspectives in Black Art," Chicago Public Library Cultural Center, 1985.
"New Horizons in Art 1984", with the NSAL, Chicago Public Library Cultural Center, 1984.
"Chicago HEAD 1984," Randolph Street Gallery, Chicago, 1984.
"Gladys Nilsson: Greatest Hits from Chicago," Randolph Street Gallery, Chicago, 1984.
"The BIG PITCHER: 20 Years of the Abstracted Figure in Chicago Art," co-curated with Michael Zieve for Hyde Park Art Center, Chicago, 1983.
"Chicago Art Perspective" co-curator with Gina Rosenblum for the Mayor's Office of Special Events at Navy Pier, Chicago,1980.
"Non-Naive", organized with Michael Zieve for Hyde Park Art Center, Chicago, 1980
Visiting Artist
Pratt Institute, Graduate Professional Practices
Northwestern University, Graduate Painting Critiques.
School of the Art Institute of Chicago, Graduate Painting Critiques.
University of Wisconsin at Madison, Graduate Critiques.
University of Illinois at Chicago, Graduate Critiques.
University of New Mexico, Graduate Critiques.
School of the Art Institute of Chicago, Graduate Critiques.
Other
Board Member, Randolph Street Gallery, Chicago, 1980-84, Chair of Exhibitions 1980-82.
Education
B.F.A School of the Art Institute of Chicago 1977.
University of Illinois, 1976-77.
University of Chicago, 1974-75.